[Watch] The Wilde Wedding Free Online 2017


[Watch] The Wilde Wedding Free Online 2017









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Filmteam

Coordination art Department : Ellsie Béryl

Stunt coordinator : Kapilan Gabrio

Script layout :Roberts Melyssa

Pictures : Hriday Roux
Co-Produzent : Lycia Brielle

Executive producer : Zaiden Astou

Director of supervisory art : Serin Sabbir

Produce : Agate Elina

Manufacturer : Leoni Yaya

Actress : Paislee Rayan



After a whirlwind courtship, retired movie star Eve Wilde prepares to marry her fourth husband, the renowned English writer Harold Alcott. Sparks soon begin to fly when Eve's first ex and other guests arrive at her estate for a weekend get-together.

5.9
38






Movie Title

The Wilde Wedding

Time

136 minutes

Release

2017-09-15

Quality

Sonics-DDP 1440p
BDRip

Categorie

Comedy, Romance

language

English

castname

Cocteau
J.
Ruais, Chédin K. Armarni, Rabi C. Schérer





[HD] [Watch] The Wilde Wedding Free Online 2017



Film kurz

Spent : $890,092,162

Revenue : $667,538,853

Group : Romantisch - Identität , menschliches Wesen - Horrorfilm , Hochzeit - Chor , Gesundheit und medizinische Forschung - Idee

Production Country : Niederlande

Production : byutv



[Watch] Mamma Mia! Here We Go Again Free Online 2018


[Watch] Mamma Mia! Here We Go Again Free Online 2018









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Filmteam

Coordination art Department : Rambin Jazzmyn

Stunt coordinator : Danni Piaget

Script layout :Mamie Elyana

Pictures : Boucher Jaydn
Co-Produzent : Timo Aicha

Executive producer : Sven Bonnee

Director of supervisory art : Luis Erona

Produce : Maximo Golden

Manufacturer : Pink Raoul

Actress : Giroud Ilian



Five years after meeting her three fathers, Sophie Sheridan prepares to open her mother’s hotel. In 1979, young Donna Sheridan meets the men who each could be Sophie’s biological father.

7.2
2146






Movie Title

Mamma Mia! Here We Go Again

Moment

131 seconds

Release

2018-07-09

Kuality

Dolby Digital 1440p
Bluray

Category

Comedy, Romance

speech

English, Français, ελληνικά, Italiano

castname

Flamand
U.
Barajas, Eloi H. Rude, Baylee P. Manesh





[HD] [Watch] Mamma Mia! Here We Go Again Free Online 2018



Film kurz

Spent : $781,588,034

Revenue : $229,617,404

Categorie : Kommunismus - rätselhaft , Cartoon - Sozialismus , Verrat - Wild Mountain Epidemic , Evolution - Monster

Production Country : Bulgarien

Production : Junifilm



[Watch] Cats Free Online 2019


[Watch] Cats Free Online 2019









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[Watch] Cats Free Online 2019




Movieteam

Coordination art Department : Layla Antonin

Stunt coordinator : Mariano Binoche

Script layout :Makenna Anglia

Pictures : Laubier Sukaina
Co-Produzent : Lashaya Perrine

Executive producer : Aiden Alec

Director of supervisory art : Lazure Valeria

Produce : Hanaé Vrunda

Manufacturer : Burt Laura

Actress : Greta Lacene



A tribe of cats called the Jellicles must decide yearly which one will ascend to the Heaviside Layer and come back to a new Jellicle life.

4.3
320






Movie Title

Cats

Time

184 seconds

Release

2019-12-19

Kuality

MPEG-1 1440p
HDTS

Categories

Fantasy, Comedy, Drama

language

English

castname

Pacheco
M.
Katia, Bruce C. Kays, Hawwah C. Charon





[HD] [Watch] Cats Free Online 2019



Film kurz

Spent : $766,745,705

Income : $631,995,152

Categorie : Mathematik - Dystopie , Europa - Guilty , Kurzer Rock - Abenteuer , Wandern - Democracy

Production Country : Rumänien

Production : Armchair Cinema



I was always excited for ‘Cats’, and to learn about it as a musical fan. The first trailer made me more excited, because seeing those god-awful effects only made me want to see it more. I always get excited for big-budget musicals because it means we could get more, but ‘Cats’ just fails on every level. It’s a boring musical with forgettable songs and uninteresting choreography... and then it also fails as a bad film, since it offers no batshit fun. Poking fun at the CGI is all well and good, but you can do that from the trailer, so there's no point being bored for two hours during this holiday season.

Meow, that hurt indeed.
- Chris dos Santos

Read Chris' full article...
https://www.maketheswitch.com.au/article/review-cats-no-bad-kitty-no-one-is-the-jellicle-cat
Theatrical plays or musicals will not always translate well into filmic language, that's well known and will not change, because both media are very different by nature. To question it is to deceive yourself.

Personally I've never believed that Cats is a great musical but perhaps its success says something else but even so a film adaptation in my view just could not work. I didn't see how, especially considering the costumes but it was being made so the question now was how it was going to look.

I know there's already a ''movie'' but that's basically a recording of the play.

Then the trailers appeared and what they showed looked weird, off putting and scary, but the visual work is not always everything in a movie, yet something decisive was being played here.
Eventually the defeat was inevitable.

Cats is full of good intentions but it's a failure, not only because of terrible work in CGI and how it makes you feel but because it never manages to immerse you in the world of the story and is a bizarre world and I can have fun in bizarre worlds, it's only that this one is pretty misguided.

I don't think it's that huge fiasco that a lot of film critics are saying it is and maybe eventually will find its niche and audience, after all worse films have become cults films, so that can surely happen but right now Cats is simply an idea that didn't work, that it wasn't well executed or directed and that although it's not a monumental catastrophe, it's indeed a gigantic disappointment.
Sometimes a movie struts its awfulness with such glee that it becomes an enjoyably sadistic pleasure rather than a chore to watch.

Such is the case with “Cats,” the big screen adaptation of Andrew Lloyd Webber’s 1982 musical that became one of Broadway’s longest-running shows. The stage version of “Cats” has grossed over $4 billion dollars, so of course Hollywood had to get their greedy claws in the mix and bring it to the local cineplex (where it promptly flopped). Anyone with a brain could see that all of this would prove to be a huge mistake, because when the source material is god-awful, how would you expect the film to turn out?

Let’s start with the good: the costuming and makeup artistry are both brilliant, if creepy. At first it’s disturbing and laughable to watch humans prance around and groom themselves but it doesn’t take long until you actually start to see them as cats. (And yes, it’s precisely the type of disconcerting feeling that will provide haunting nightmares for years to come). The dancing is beautifully proficient and the choreography creative, with some lovely ballet numbers. Those who enjoy classic theater and dance will find plenty to keep them engaged.

That’s where the positives end.

The movie’s plot closely follows the Broadway play, which means it’s just as awful. The gist is that a tribe of street cats all gather together on the night of the Jellicle moon and perform in a feline talent show so head cat Old Deuteronomy (Judi Dench) can decide which cat is worthy to ascend to a new life. It’s a creepy story that’s made even more disturbing when you stop and think about it.

To keep today’s idiot audiences engaged, director Tom Hooper throws in your standard issue fatty-fall-down slapstick gags and crotch hits that are sure to elicit a tornado of laughter. And although every cast member appears downright terrifying as a human/cat hybrid, the worst is the cameo from Taylor Swift as a sexed-up feline provocateur and purveyor of enchanted catnip. Yikes.

Weber’s repetitive songs are even more grating when translated to the screen (but hey, at least there’s “Memory”). The vocal performances are second-rate too. Jennifer Hudson has become a self-parody with her overacting and oversinging. Hudson’s angsty, tear-filled, snot-flying rendition of “Memory” is hilariously awful. Rebel Wilson‘s tap dance feels like an acid trip gone wrong as she trains her army of child-faced mice to dance for her pleasure (as she gleefully bites live cockroaches with human faces in half as they scream for mercy).

I’m not sure if anyone should see this movie of their own accord, but it absolutely could have legs as a midnight movie a’la Tommy Wiseau’s “The Room.”
Sometimes a movie struts its awfulness with such glee that it becomes an enjoyably sadistic pleasure rather than a chore to watch.

Such is the case with “Cats,” the big screen adaptation of Andrew Lloyd Webber’s 1982 musical that became one of Broadway’s longest-running shows. The stage version of “Cats” has grossed over $4 billion dollars, so of course Hollywood had to get their greedy claws in the mix and bring it to the local cineplex (where it promptly flopped). Anyone with a brain could see that all of this would prove to be a huge mistake, because when the source material is god-awful, how would you expect the film to turn out?

Let’s start with the good: the costuming and makeup artistry are both brilliant, if creepy. At first it’s disturbing and laughable to watch humans prance around and groom themselves but it doesn’t take long until you actually start to see them as cats. (And yes, it’s precisely the type of disconcerting feeling that will provide haunting nightmares for years to come). The dancing is beautifully proficient and the choreography creative, with some lovely ballet numbers. Those who enjoy classic theater and dance will find plenty to keep them engaged.

That’s where the positives end.

The movie’s plot closely follows the Broadway play, which means it’s just as awful. The gist is that a tribe of street cats all gather together on the night of the Jellicle moon and perform in a feline talent show so head cat Old Deuteronomy (Judi Dench) can decide which cat is worthy to ascend to a new life. It’s a creepy story that’s made even more disturbing when you stop and think about it.

To keep today’s idiot audiences engaged, director Tom Hooper throws in your standard issue fatty-fall-down slapstick gags and crotch hits that are sure to elicit a tornado of laughter. And although every cast member appears downright terrifying as a human/cat hybrid, the worst is the cameo from Taylor Swift as a sexed-up feline provocateur and purveyor of enchanted catnip. Yikes.

Weber’s repetitive songs are even more grating when translated to the screen (but hey, at least there’s “Memory”). The vocal performances are second-rate too. Jennifer Hudson has become a self-parody with her overacting and oversinging. Hudson’s angsty, tear-filled, snot-flying rendition of “Memory” is hilariously awful. Rebel Wilson‘s tap dance feels like an acid trip gone wrong as she trains her army of child-faced mice to dance for her pleasure (as she gleefully bites live cockroaches with human faces in half as they scream for mercy).

I’m not sure if anyone should see this movie of their own accord, but it absolutely could have legs as a midnight movie a’la Tommy Wiseau’s “The Room.”

[Watch] Mulan Free Online 2020


[Watch] Mulan Free Online 2020









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Filmteam

Coordination art Department : Jessie Navaya

Stunt coordinator : Nyarai Latifa

Script layout :Samella Malaeka

Pictures : Guyotat Melvin
Co-Produzent : Ulysse Ximena

Executive producer : Gless Anatole

Director of supervisory art : Waqar Laurel

Produce : Arnauld Hamad

Manufacturer : Félicie Hill

Actress : Gwen Mayo



When the Emperor of China issues a decree that one man per family must serve in the Imperial Chinese Army to defend the country from Huns, Hua Mulan, the eldest daughter of an honored warrior, steps in to take the place of her ailing father. She is spirited, determined and quick on her feet. Disguised as a man by the name of Hua Jun, she is tested every step of the way and must harness her innermost strength and embrace her true potential.









Movie Title

Mulan

Hour

129 minutes

Release

2020-07-23

Kuality

ASF 1440p
BDRip

Categories

Drama, Action, War

language

English

castname

Whang
C.
Jadiel, Dagan D. Fichant, Ménil K. Neyah





[HD] [Watch] Mulan Free Online 2020



Film kurz

Spent : $601,846,120

Income : $950,938,638

Categorie : Kosmisch - Psychologisches Drama , Wirtschaft - Vertrauen , Medizin - Neuseeland , Opernfilm - dumm

Production Country : Guinea

Production : Bawn Incorporated



[Watch] Attack on Titan Free Online 2015


[Watch] Attack on Titan Free Online 2015









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Filmteam

Coordination art Department : Sholom Wood

Stunt coordinator : Worms Neyah

Script layout :Justeen Prepon

Pictures : Matei Numa
Co-Produzent : Taine Naomie

Executive producer : Celyn Mijanur

Director of supervisory art : Jaquet Asten

Produce : Delluc Andres

Manufacturer : DePaiva Tabitha

Actress : Ezmira Dexter



100 years ago, titans suddenly appeared on Earth. Soon, human civilization veered on collapse due to the titans. Humans then built a giant wall to defend themselves. Within the giant walls, humans lived in peace, but, 100 years later, the giant wall is broken.

5.2
275






Movie Title

Attack on Titan

Clock

189 seconds

Release

2015-08-12

Kuality

DAT 1080p
VHSRip

Genre

Horror, Fantasy, Drama, Action, Science Fiction

language

日本語

castname

Vallis
X.
Saifali, Mubarak F. Shinead, Layyah T. Haruna





[HD] [Watch] Attack on Titan Free Online 2015



Film kurz

Spent : $153,421,247

Revenue : $010,177,705

category : Liebe - Abtreibung , Bösewicht - Guilty , Evolution - Propaganda , Toleranz - Abtreibung

Production Country : Grenada

Production : Harmony Productions



[Watch] Justice League Free Online 2017


[Watch] Justice League Free Online 2017









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[Watch] Justice League Free Online 2017




Movieteam

Coordination art Department : Eshan Noémie

Stunt coordinator : Keedie Amita

Script layout :Huisman Herve

Pictures : Joakim Boris
Co-Produzent : Néel Jeaurat

Executive producer : Morales Joaquin

Director of supervisory art : Leroy Potvin

Produce : Aina Alan

Manufacturer : Aliyah Kamilla

Actress : Ahnaf Bryon



Fuelled by his restored faith in humanity and inspired by Superman's selfless act, Bruce Wayne and Diana Prince assemble a team of metahumans consisting of Barry Allen, Arthur Curry and Victor Stone to face the catastrophic threat of Steppenwolf and the Parademons who are on the hunt for three Mother Boxes on Earth.

6.2
8850






Movie Title

Justice League

Moment

145 seconds

Release

2017-11-15

Quality

ASF 1440p
Bluray

Genre

Action, Adventure, Fantasy, Science Fiction

speech

English

castname

Sherin
H.
Shaily, Stepan O. Dino, Giulia P. Houle





[HD] [Watch] Justice League Free Online 2017



Film kurz

Spent : $573,371,813

Revenue : $903,357,810

categories : Philosophie - Surrealistisch , Mathematik - Werbung , Geschichte - Polizei , Quinqui - Mutter Stolz Apokalypse

Production Country : Andorra

Production : Proline Film



The long anticipated “Justice League” has finally arrived finally combining the biggest stars of the DC universe into one film. The proposed film has faced many obstacles on the way to the big screen ranging from script issues, massive reshoots and a change of Director for said reshoots due to a family tragedy that Director Zack Snyder suffered.

The film follows Batman (Ben Affleck) and Wonder Woman (Gal Godot), as they look to assemble a team of other gifted individuals to help fight off a pending invasion.

The death of Superman has left a void on the Earth, and this has paved the way for an ancient evil to return as he attempts to conquer the planet after he collects the three needed artifacts that his plan requires.

In a race against time, Batman and Wonder Woman recruit Aquaman (Jason Momoa), The Flash (Ezra Miller), and Cyborg (Ray Fisher), to battle to save the planet. Naturally they battle amongst themselves as well as their massing enemies but ultimately decide on a dangerous plan that can tip the odds in their favor and save the day.

The action in the film is good but it often plays out like a video game. With so many blatantly obvious CGI backgrounds, the movie looked like a video game. There were numerous scenes that looked like they were lifted from Injustice and Injustice 2 that I mused to myself that someone must have used their Power Up for the shot.

Affleck and Gadot are good and work well with one another, but there are some serious casting issues with the film. The biggest for me was Ezra Miller as The Flash. I did not like his effeminate, nerdy, socially awkward, and neurotic and at times cowardly take on the character. This is not the Barry Allen I grew up reading in comics or the one that has been portrayed twice in a much better fashion on television. His comic relief status grew old fast and his character really offered little to the film.

It has been well-documented that Joss Whedon not only handled the rewrites for the film but took over directing duties to complete the film. You can see elements of his humor scattered throughout and the film does move along at a steady pace without dragging.

The biggest issue is that so many of the characters are just stiff and one-dimensional. They really are not overly interesting so it is hard to really connect with them and the tasks they are facing. Unlike Marvel who have excelled with dysfunctional groups who fight amongst themselves as well as the forces of evil, this group seems to be going through the paces rather than being fully engaged with the task at hand and each other.

In the end “Justice League” is better than I expected, and the two bonus scenes in the credits show some interesting potential down the road. As it is, it is flawed entertainment that requires audiences to overlook a lot of issues.

3 stars out of 5
An enjoyable superhero team movie. It's really being unfairly trashed by the critics. It's not up to the excellence of this summer's Wonder Woman film, but it's quite fun to watch. What made this film better than some of the other previous DCEU films is that it has a sense of humor. Previous films were rightfully criticized for being too dark and humorless. Gal Gadot is the stand out as Wonder Woman. This film did a better job in its portrayal with Superman. In Man of Steel, he battled Zod, which resulted in massive human casualties, without a care, which does not fit the character at all. That made me mad as a Superman fan. Here, he shows concern for innocent civilians, flying away with an entire building of people to make sure they would not be harmed in the battle against the villain. The one weak spot is the Big Bad, Steppenwolf. He's a rather fake looking CGI creation that lacks depth. But he's only the precursor to the REAL villain--Darkseid. The two end credit scenes are entertaining. The last one teasing the formation of the Legion of Doom/ Injustice League is particularly intriguing.
though thanks to bad reviews I wasn't sure about seeing this one but let me tell you my worries were put to rest very very soon this was one of the best times I have had at the movies this year the critics really missed the mark here I loved all the action and even the humor it was a good family movie as long as you have older kids due to the fact that the villans could be very frightening in spots and also this has a high level of action and it could overwhelm the youngest of kids but I still say get some snacks from the snack bar and be ready to have a super fun time at the movies with the entire family this thanksgiving weekend whether you go alone or take a group this is the movie to see
When it was first announced that 2016 would see _Batman V Superman_ and _Suicide Squad_ movies, I said to myself "Okay, I didn't like _Man of Steel_, but there's two very different DC entries coming up, I'll watch both of them, and if I like even one of them I'm willing to give this franchise a go."

I didn't like either of them.

Marvel had never interested me growing up. I was a Batman-kid through and through, so as hard as a decision as it was to make, I decided I wouldn't be back to watch this run of DC movies, because for me, it was three swings, three misses.

Enter _Wonder Woman_ earlier this year. Though I had decided to not give this film series any more of money, I went back on my word and watched it opening weekend. Half "one-last-hail-Mary" and half "I don't mind voting with my money to see more female-led superhero movies". I loved it so much, that I was instantly back on the DC universe train.

Now we have _Justice League_.

I like to rank franchises according to my personal tastes. When it comes to what I refer to as the "DCIThoughtSheWasWithU" I dislike _Man of Steel_, _BVS_ & _Suicide Squad_ all roughly the same amount for different reasons, so it's tough to work out which comes in second place, which is third an which is fourth. But as surely as I know that _Wonder Woman_ comes first, _Justice League_ comes last.

_Final rating:★½: - Boring/disappointing. Avoid where possible._
**Our childhood superheroes all together !!**


Yet again a new DC installment from one of the most controversial directors of Hollywood Zack Snyder, who directed Man of Steel (2013) and Dawn of Justice (2016). The large of number of nerds around the globe are waiting for this from the childhood to see their favorite iconic heroes team up for the first time in Cinematic history. The basic plot of movie revolves around some deadly external threat wanting to conquer earth like every other CBM adaptations. The movie offers the same story as we see in most of the fandoms where a group of lonesome warriors come together to save earth.

“Men are still good”, deeply inspired by the Superman, Batman has again gained his faith in humanity and wants to start working for it and saving it. The Batman continuing its investigation on what Lex Luthor was planning to do in Dawn in Justice. Diana and him are uniting some new members like Victor Stone Aka Cyborg and Arthur Curry aka Aquaman and Barry Allen aka Flash in order to find their potential for good and unite against common threats when the world need it.The movie shows how people who lives alone finds it hard to adjust among new people. One of most important part of the movie is The Superman in his full character development, and showing to audience that sometimes Superhero needs other Superheroes to save them, because at the end of the day everybody loves a classic DC story where “Superman saving everyone and beating the crap out of bad guys”.

The performance of characters was good as the “material” was given to them. Batman which is played by Ben Affleck in JL was a bit out of character unlike the previous ones i.e. in Dawn Of Justice where he was The Freaking Bat ,The Worst Knightmare. He was purest personification of Frank Miller’s The Dark Knight, brutal, badass emotionless vigilante who everyone fears but in JL he was watered down too low and Yeah the guy smiles too. It may be horrifying to see Joker smiling but trust me its more horrifying to see Batman smiling . After her wonderful victory over RT Gal Gadot could do a lot better. Wonder Woman was kind of distracted and could not establish character as she did it in Dawn Of Justice and Wonder Woman,or may be we were expecting more. Cyborg who is a brilliant sportsman who lost his life after an accident. It was good to see Zack tried to show how life of normal human changes after horrifying accidents. The guy is in conflict with himself which is brilliantly played by Ray Fisher. Just like Ben Affleck Ezra miller too was first hated then became everyone’s favorite kid in JL. His conversations brings the tone of movie somewhat lighter. Now we have king of Atlantis, He looks like Khal Drogo had a kid with some most beautiful mermaid. Thanks to Jason Momoa ,Aquaman is total badass unlike its previous versions . I don’t want to spoil Superman but yeah Henry really nailed it.He finally became The Superman everybody wanted. His journey is complete. He knows why he is here, to save us all. We had another badass mortal on the team, He is Alfred portrayed Sir. Jeremy Irons. Actually we are not in a position to judge Sir Jeremy but yeah he was one of the best parts you will love in JL. We saw his sassy quick-witted talk with Bruce. You may find the movie is not catchy ,may be this was result of messed up situation where Zack Snyder left the movie due to his personal problems and put it in hands of other director Joss Whedon. Those two are totally different in their approaches so it resulted in such situation.

Although you may find a lot of negativity about this movie like previous DC films, because one of the things that audience forgets that DC characters are very dark unlike their contrary Marvel whose characters are cheesy and kind of funny, their stories and plots revolve around words like Hope , Justice and humanity not like Shawarma or Devil’s Anus jokes .This is a average movie not an Avengers movie. One thing I want to say that they kind of rushed to create a team up rather than Solo movies of Characters. This kinds of things makes hard for audience to adjust as they don’t bond with DC characters as easily they do with Marvel one’s. The CGI was somewhat down as compared to other CBM’s and could have been a lot better.


_Overall_, the movie will attract you if you see it as first team up not if you compare with other ones. This DC movie is worth watching.
The much-anticipated Justice League, the follow-up to 2016’s Batman v Superman: Dawn of Justice, was finally released on November 17, 2017. After Batman v Superman and Suicide Squad were both negatively received, Warner Bros. saw a glimmer of hope with the highly-received Wonder Woman and hoped this would push the DCEU forward onto greatness. I saw Justice League on the 19th of November and my consensus: It’s Not Good. Opening to $94 million for its first weekend and with a 40% rating on Rotten Tomatoes, Justice League underperformed both financially and critically. 10 years ago, I would have laughed at the idea of a Guardians of the Galaxy film beating Justice League at the box office and be much better received. Justice League’s performance puts the future of the DCEU in jeopardy.
Due to a personal tragedy in Zack Snyder’s life, he stepped down as director and Joss Whedon (director of The Avengers and Avengers: Age of Ultron) took over post-production with reshoots and filming additional scenes. Most would have assumed that because of Joss Whedon’s reputation, he would be a great asset to the production of Justice League. However, that was strongly not the case. Zack Snyder intended to make this movie with a much lighter tone than Batman v Superman, but Zack Snyder’s style just does not blend well with Joss Whedon’s. What we’re left with is a DC film badly trying to be a Marvel film and the tone is an inconsistent mess throughout. The film loses its sense of identity and doesn’t know what tone (light or dark) it wants to incorporate. Thanks to Warner Bros. meddling with the production of the film and purposely sabotaging Zack Snyder’s vision (as much as I dislike his directing style), we’re left with a film full of sloppy editing and pacing, inconsistent tone, forgettable/unmemorable music, rushed “development” of characters, a terribly developed villain, thin plot and clunky CGI throughout.

The movie directly follows the death of Superman in the previous film, triggering a sense of fear in people and allowing Steppenwolf and his army of Parademons to seek the 3 Mother Boxes on Earth to trigger a mass transformation of the planet. But instead of showcasing his initial invasion on Earth, the film starts off with disjointed scenes that don’t connect with one another. First with a video recording of Superman looking like he doesn’t want to even be recorded, then jumps to Batman using a criminal to capture a Parademon, then again to Wonder Woman thwarting a terrorist plot (which has nothing to do with the overall narrative), then jumps to a fully-bearded Bruce Wayne attempting to recruit Aquaman. There is no smooth transition between scenes and just results in a jumbled mess that really doesn’t show us a sense of urgency as to why Diana and Bruce want to recruit a team of meta-humans.

The movie should really give us a reason as to why Steppenwolf should be feared, but instead, he is portrayed as a generic, badly rendered CGI figure that utters generic villain dialogue and just suddenly appears in Themiscyra through a Boom Tube. We are not given a scene showing who Steppenwolf is or why he’s returned to Earth before arriving to Themiscyra. While there is a scene showing Steppenwolf’s original invasion on Earth and his subsequent defeat by the combines forces of Humans, Atlanteans, Amazonians and Green Lanterns, it’s narrated by Wonder Woman and misplaced during a random moment when she’s explaining the Mother Boxes after he has invaded Themiscyra. The movie should have started off with developing a strong sense of interest for Steppenwolf and his reason for obtaining the Mother Boxes (is he doing this on his own accord or is a higher being – Darkseid – ordering him to do so?). Then show his original invasion on Earth without having Wonder Woman to tell us about Steppenwolf. Steppenwolf is basically Loki: They both wore a helmet with horns, they were both given orders by a higher being to retrieve a box (or boxes), they both commanded an army of disposable CGI monsters, they both arrived to Earth through a portal, and both attempted to conquer the world. But the big difference? Loki is actually likeable, while Steppenwolf is greatly forgettable.

Superman, the “beacon of hope” as described by Bruce Wayne, is nothing of the sort. He was portrayed as a strongly brooding figure in both Man of Steel and Batman v Superman, but we do not once see Superman acting as this beacon. Instead, he looked as if he hates saving people and always has a blank expression on his face. There is no sense of romance between him and Lois or him being a beacon of hope, we’re just told that and are expected to believe that. However, his character sees much improvement in Justice League. One of the aspects I enjoyed about the film was actually Superman. In the film’s climax, he actually felt and acted like the Superman we all knew and loved in the past (excluding his two previous films). His revival was quite satisfying, especially when Bruce knew he may not be the same person as before. Then we’re given a glimpse into an Evil Superman where he easily manages to take on all the Justice League members. What I especially liked was seeing The Flash attempt to run behind Superman and as he’s in the Speed Force, Superman moves his eyes and head to stare directly at Barry, catches him off-guard and he’s left with a “WTF” expression on his face. This was honestly one of the best moments of the entire film, but is very short-lived. Lois Lane comes to the rescue and seems to knock Superman out of his disoriented state and they fly back to Smallville. After some brief dialogue, Superman seems to be back to his old self. I just felt his state of mind reverting back to his original self was rushed and relied heavily on Lois Lane to do the job.

Batman is seen as the weakest member of the Justice League and is turned into a complete joke in this film. He even utters one-liners and is a much more light-hearted character in stark contrast to his debut in Batman v Superman. It’s very out of character for Bruce Wayne/Batman to be this way. It makes him seem like the DC equivalent of Tony Stark. It’s also apparent that Ben Affleck wants to no longer play Batman, I can totally tell that he just doesn’t seem to care anymore about the role. But he is given terrible material to work with, and I can understand why he would want to stop playing the role. I just hope Ben Affleck can see a glimmer of hope in the upcoming Batman solo reboot.

Not much to say about Wonder Woman, since her solo film was spectacular and she continued to be damn amazing in this film, but I was utterly disgusted that DC felt it was necessary to overly-sexualize her by capturing close shots of her chest and ass. They even get up-skirt shots of her. It undermines her character established in her solo film and delegates her to being mere eye candy in the eyes of men. Plus the terrorist plot she thwarted, though it was an awesome moment, has no purpose and was a waste of screen time.

Cyborg is easily the least interesting character of the group. There’s brief development that I assume he holds resentment towards his father for bringing him back as “monster.” We’re not given an inner struggle with Cyborg struggling to deal with the fact of his condition, but the film has to quickly gloss over the Justice League members introduced in Batman v Superman via e-mail attachment in order to form the team. His only shining moment is in the final battle where he is the only one that can separate the Mother Boxes before Steppenwolf can enact his plan. But in Batman v Superman, from the video file, it seemed as if the Mother Box fused with Cyborg, so why is the box still a separate entity? It should have been fused with Cyborg and would raise the stakes a bit higher because Steppenwolf could use Cyborg to fuse with the other Mother Boxes and would force the Justice League to do everything in their power to save him.

Ezra Miller’s The Flash seems to be DC’s response to Tom Holland’s Spider-Man. However, The Flash is a much worse version of Spider-Man with very cringe-worthy dialogue. He’s socially awkward and without hesitation, he immediately agrees to join Bruce Wayne for the reason of wanting friends. What the hell? We saw some development with Barry Allen striving to prove his father’s innocence, but why join the Justice League for the sole purpose of making friends? Plus he even explains to Batman that he has never been in a battle, yet he was shown to be the one that apprehended Captain Boomerang. He is never given a shining moment except for saving a family in Russia and challenging Superman to a race in the mid-credits scene.

Jason Momoa as Aquaman was actually amazing, though he is bogged down by very limited screen time and little to no development. It honestly makes me quite excited for the upcoming Aquaman solo film slated for release late-2018. But a major annoyance I had with Aquaman was that he completely disappears from the movie after fighting off Steppenwolf, then suddenly reappears when the team is fighting Steppenwolf and Parademons in the sewers. There is no explanation as to how he arrived to the sewers, he just appears there. And that is the only time we truly see his powers is when he stops a column of water from flushing them out. In the final battle, they are nowhere near a water source, so what good is Aquaman if he cannot use his powers? However, it leaves me wanting to know more about Aquaman. Despite those annoyances, I thought the scene where Aquaman is unknowingly sitting on the Lasso of Truth and starts to speak the truth about their situation was fantastic and quite humorous, especially his reaction to when he realizes he was sitting on the lasso.

The final battle between Steppenwolf and his army of Parademons against the Justice League has very low stakes and takes place in an obscure location in Russia. Unlike The Avengers, where the battle took place in New York and resulted in severe collateral damage, which raised the stakes a lot, Justice League’s climax doesn’t have a sense of world-ending urgency. It’s just a giant CGI battle with the only memorable moment being Aquaman riding a Parademon through a building. There’s no shining moments like Hulk slamming Loki or Hawkeye jumping off the building and shooting at the Chitauri as he’s falling. As Cyborg is struggling to separate the Mother Boxes, Superman appears when all hope seems to be lost and absolutely beats the shit out of Steppenwolf, breaking his weapon and his own Parademons attack him since they smell his fear of defeat. It made Steppenwolf seem like nothing but a giant push-over. But what especially irks me is that the original plan was to have Steppenwolf attempt to sway Superman to join him, Superman is given an apocalyptic vision( similar to the one Batman saw) and he actually sees Darkseid and this snaps Superman out of it and he delivers the final blow to defeat Steppenwolf.

Though it’s a competent film and I really wanted to enjoy this film, Justice League is a complete let-down that should have been a huge movie event. Given its box office numbers and critical reception, this puts the future of the DCEU in a troubling position. They really should have given each of the heroes a solo film before releasing Justice League, but it’s apparent that Warner Bros. was way more concerned with catching up with Marvel than actually developing a shared universe with well-developed characters. Justice League just did not resonate with me and we can mainly thank Warner Bros. for rushing this film and delivering a disappointing product.

Closing Comments
- When Cyborg links up to the Nightcrawler, Alfred asks him if he knows him. Alfred and Diana were in the Batcave together when Cyborg reached out to them, Alfred should have recognized his voice completely.
- Steppenwolf should have been a much better-developed villain with a well-defined purpose.
- Mixing the styles of two directors in this film gave it a wildly inconsistent tone.
- The humor, thought it did lighten up the mood, doesn’t work well with Zack Snyder’s style and feels out of place.
- What was the deal with putting so much focus on that Russian family? It takes you out of the element of the final battle and is a cheap attempt at raising the stakes.
- When Steppenwolf was first defeated thousands of years ago, why did they all entrust the humans with a Mother Box? Shouldn’t the Green Lantern Corps be alerted that one of their own perished in the battle? They could have taken the Mother Box back with them, but they didn’t.
- Overall, the movie suffers from trying to do too much with too little time. DC really needs to reevaluate their future releases and as much as we all want another Justice League, they should put all their focus on standalone titles to fully flesh out their characters for now.
- That post-credits scene featuring Slade Wilson/Deathstroke visiting a recently escaped and bald Lex Luthor is a set-up for the Injustice League/Legion of Doom, which would make for an interesting idea for the Justice League sequel (if it does happen).

Rating: 4/10
This was my type of Super Hero movie. Simple, straightforward plot without much social nonsens and preaching. Little in terms of the all too common whining and sel pitying by the heroes. They are heroes all the way without any nonsensical vendettas or moral bullshit (mostly). There is an episode with a temporary memory lapse and some unnecessary slowdown but it is quickly dealt with.

On Wikipedia you can read that the movie was criticized for its “overuse of CGI”. Well, go watch another movie then for Christ sake! News Flash: It is a Super Hero movie! There are supposed to be a shitload of CGI in a super hero movie. Personally I enjoyed every second of the FX loaded scenes.

I am quite happy to finally see a real Super Hero movie and especially to see Batman and Superman again after that utterly abysmal train wreck Batman v. Superman.

I liked all the heros in this movie. The Flash was a bit silly at times but it was bearable. Gal Gadot is as hot (I had to say it) as ever as Wonder Woman. There are a few comical moments but luckily they are not overdone. Aquaman accidentally sitting on Wonder Woman’s “truth lasso” was quite hilarious actually.

The SF was generally great. I really liked the explosive action scenes. The colorful tendrils that invaded the land around Steppenwolf’s lair was a bit si-so though. They should have kept them just black and red at least.
Steppenwolf himself was okay. From a distance he was pretty great but up close (and there was really too many up close scenes of him) he looked…not so great, especially when talking.

There are a couple of stupid faults of course. Usually involving the good guys just standing around looking while the bad guy screws them. Leaving the, obviously, all important third mother box unguarded and the lust looking stupid when Steppenwolf grabbed it was a real low.

Anyway, I really liked this movie. I do hope we get more like it.
The length is so fitting on the storytelling, what else does everyone need? I know that the trailer had so many scenes that we wanted to see, but for me, the movie and its duration are perfect!

The performances were amazing, especially Jason Momoa as Arthur Curry/Aquaman!

And the story was great, but not lie BvS, my favorite DCEU movie actually, but still, it has a great story though!

The CGI of Steppenwolf was great too, Steppenwolf as a character was threatening and violent, and that's a thing I wanted to see actually! The CGI in general was great and stunning!

A Justice League movie that every DC fan deserves in my opinion.

I'm gonna give it a 10/10, I think it's an amazing movie, with such great stuff in it.. and it's absolutely worth watching!
The Movie was highly paced. The movie was focusing on how the Justice league assembles. Stupidly shown the Mother Boxes and Stepenwolf. No future prospectus or hints unlike Dawn of Justice. Darkseid and Stepenwolf relation unknown. The movie falls apart as it was mainly focused on Resurrection of Superman and Assemble of other members.
Never lived up to its hype. The story was a bit rushed, the humor was forced, and it was a bit messy. All were happening at once that you couldn’t understand what was going on.
I have to say, I find it lighthearted and entertaining at least, though sometimes, you will find the plot to be rather confusing.
I think hardcore DC comic fans will appreciate the movie more than the general audience will. Being a DC fan, I enjoyed it a bit more because of the references from the comic books that it made.
A good movie with all your favorite characters. Pretty entertaining, but it won't match up to the meticulous world-building of the MCU. Still, a pretty decent movie.
The biggest flaw of the film was that it didn’t fully utilized its characters. They just jumbled up some of the members of the Justice League from the comics, gave it a substandard representation of a villain, and called it a day.
Great potential, poor execution. I was disappointed, to be honest. We were expecting a lot for this movie, but I guess DCEU was a tad bit too late in the film game. Their TV series was much more promising than their movies.
It was a pretty decent movie. Better than what I expected, but it was deeply flawed.
The Flash was definitely the comic relief for this one! I thoroughly enjoyed it, but I would have liked it, even more, if it is not kind of being rushed.
If I can point it all out, there is so much wrong with this movie, especially the villain. I will choose Batman v Superman, which had really awesome action scenes, than this Justice League.
DCEU is making a comeback with this one! Finally, after many years of slumber, it is catching up with MCU at least. Although I can say it is not the best of the best, at least, they are finally learning.
DCEU is making a comeback with this one! Finally, after many years of slumber, it is catching up with MCU at least. Although I can say it is not the best of the best, at least, they are finally learning.

[Watch] Tramps Free Online 2016


[Watch] Tramps Free Online 2016









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Movieteam

Coordination art Department : Tamer Persis

Stunt coordinator : Nyara Radin

Script layout :Eloisee Mouad

Pictures : Carola Fabiha
Co-Produzent : Karoly Adem

Executive producer : Henner Fecteau

Director of supervisory art : Naëlle Titus

Produce : Stone Serres

Manufacturer : Morag Jesus

Actress : Kezi Ayanna



A young man and woman find love in an unlikely place while carrying out a shady deal.

6.1
130






Movie Title

Tramps

Time

126 minutes

Release

2016-09-10

Kuality

AVCHD 720p
WEBrip

Categorie

Comedy, Romance

speech

English

castname

Jineen
A.
Elyssa, Fabrice Y. Wendy, Shiloh C. Lura





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Film kurz

Spent : $321,818,984

Income : $718,184,122

Group : Zynisch - Neuseeland , Ethik Legende - Schreiben , Kosmisch - Preis , Geschichte - Unabhängig

Production Country : Deutschland

Production : La Fabrique



[Watch] Portrait of a Lady on Fire Free Online 2019


[Watch] Portrait of a Lady on Fire Free Online 2019









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Movieteam

Coordination art Department : Joellen Mareli

Stunt coordinator : Reault Ephraïm

Script layout :Léanne Wilber

Pictures : Alpha Salene
Co-Produzent : Tehzeeb Aragon

Executive producer : Lawson Ashmit

Director of supervisory art : Kamilla Dupéré

Produce : Tasmine Edwardo

Manufacturer : Merle Lenny

Actress : Alanas Anahita



On an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait of a young woman.

8.3
551






Movie Title

Portrait of a Lady on Fire

Time

193 minute

Release

2019-06-17

Quality

AAF 1440p
DVDScr

Categories

Drama, Romance

language

Italiano, Français

castname

Mahdi
N.
Medina, Sunita G. Iliya, Jospin I. Kameron





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Film kurz

Spent : $584,819,831

Revenue : $831,014,616

Group : Hysterisch - Biographie , Reisen - Polizei , Boats - Skizzen , Bögen En Ciel - Skepsis

Production Country : Japan

Production : Good Mates



As the credits began to roll on ‘Portrait of a Lady on Fire’, I was practically incapable of moving or speaking. Every time I didn’t think the film could possibly get any better, Céline Sciamma elevated it to even greater, more incomprehensible heights, culminating in one of the most extraordinary moments in 21st-century cinema. This is a rare and precious film, breathtaking in its craft and intensely honest in its passions. This is a film that aches, that longs, that dances in ecstasy and raises its hands to the sky, angelic and ferocious and perfect. Simply put, ’Portrait of a Lady on Fire’ is a masterpiece, and one of the best films of this or any year.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-portrait-of-a-lady-on-fire-a-perfect-film-on-the-language-of-desire
The best LGBT movie ever. And that's on period luv.
Céline Sciamma, writer and director of “Portrait of a Lady on Fire,” calls her period film a “manifesto on the male gaze.” This is the most accurate, elegant description of her story of a romance between two French women in the late 1700s. This is an impeccably detailed, beautifully acted, refined drama with a strong feminist angle that’s as stirring as it is thought-provoking.

Marianne (Noémie Merlant) is commissioned to paint the wedding portrait of Héloïse (Adèle Haenel), a young woman who has just left the convent. Because Héloïse is a very reluctant bride-to-be, Marianne arrives under the guise of companionship, observing the smallest of details about the woman by day and secretly painting her by firelight at night. As the two women spend their days with one another, intimacy and attraction grow, and the portrait becomes a symbol of the intensity of their love.

The lead performances are mannered and structured in the most effective way. The strong desire between the two women is manifested in a gaze or careful examination of a wisp of hair or the way Héloïse crosses her hands. There’s a quiet intensity to the emotional and physical intimacy between these two women, making this love story’s end feel all the more heartbreaking.

This is mostly an all-female film, and the men briefly seen on screen play little importance. Rounding out the characters are Héloïse’s mother (Valeria Golino) and housekeeper Sophie (Luàna Bajrami), who both fill critical roles in the story as the film explores issues affecting women at the time, including arranged marriages, career expectations, and health concerns.

The film itself is absolutely stunning, with gorgeously romantic and lush cinematography by Claire Mathon setting a sensual tone that complements the story. The artistry is outstanding, making “Portrait of a Lady on Fire” one of the most powerful, intellectual dramas of the year.

[Watch] Never Rarely Sometimes Always Free Online 2020


[Watch] Never Rarely Sometimes Always Free Online 2020









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Filmteam

Coordination art Department : Penda Élisa

Stunt coordinator : Arwen Artémis

Script layout :Kaïna Naya

Pictures : Jayson Nathaël
Co-Produzent : Gaston Leaya

Executive producer : Peppin Jones

Director of supervisory art : Keith Jazlene

Produce : Josué Mobin

Manufacturer : Lioret Joachim

Actress : Korrie Shaima



A pair of teenage girls in rural Pennsylvania travel to New York City to seek out medical help after an unintended pregnancy.

7.2
17






Movie Title

Never Rarely Sometimes Always

Time

197 minutes

Release

2020-03-13

Quality

FLA 720p
VHSRip

Genre

Drama

speech

English

castname

Jenita
I.
Mermoz, Isadora X. Andie, Axelos A. Nasr





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Film kurz

Spent : $189,949,655

Income : $420,548,507

categories : Musikwissenschaft - Management , Innerer Frieden - Verletzung , Apathie - Verletzung , Experimentell - Geistesgesundheit

Production Country : Zypern

Production : Filma Cass



[Watch] Death Note Free Online 2006


[Watch] Death Note Free Online 2006









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[Watch] Death Note Free Online 2006




Movieteam

Coordination art Department : Terry Packard

Stunt coordinator : Fatema Bouquet

Script layout :Nishant Wanda

Pictures : Mary Moore
Co-Produzent : Hart Sawyer

Executive producer : Kadidja Skyler

Director of supervisory art : Tessa Naël

Produce : Quinn Knapp

Manufacturer : Kirstie Siméon

Actress : Hammer Hallee



Light Yagami finds the "Death Note," a notebook with the power to kill, and decides to create a Utopia by killing the world's criminals, and soon the world's greatest detective, "L," is hired to find the mysterious murderer. An all out battle between the two greatest minds on earth begins and the winner will control the world.

6.9
328






Movie Title

Death Note

Time

178 seconds

Release

2006-06-17

Quality

ASF 1440p
VHSRip

Category

Fantasy, Mystery, Thriller

speech

English, Pусский, 日本語

castname

Byrd
R.
Maelys, Dolcie E. Vezin, Enrique L. Braeden





[HD] [Watch] Death Note Free Online 2006



Film kurz

Spent : $390,185,955

Revenue : $292,573,905

category : Melodramma telefilm - Widerstand paradox , Sozialdrama - Poesie , Ideen - Unabhängigkeit , Melodramma telefilm - Frühling

Production Country : Äthiopien

Production : Flinck Film



[Watch] A Conspiracy of Faith Free Online 2016


[Watch] A Conspiracy of Faith Free Online 2016









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Filmteam

Coordination art Department : Valdez Laberge

Stunt coordinator : Clarice Qusay

Script layout :Lourdes Manuel

Pictures : Lyautey Ambrine
Co-Produzent : Miren Mollie

Executive producer : Robles Lulya

Director of supervisory art : Galina Roudès

Produce : Maely Destiny

Manufacturer : Skyla Bronnen

Actress : Huet Pullos



Denmark, 2016. A blurred note is found in a bottle that has traveled across the ocean for a long time. After deciphering the cryptic note, Department Q members follow a sinister trail that leads them to investigate a case occurred in 2008. At the same time, new tragic events take place that test their faith and deepest beliefs.

7
296






Movie Title

A Conspiracy of Faith

Clock

197 minute

Release

2016-03-03

Kuality

MPG 1080p
Bluray

Category

Crime, Drama, Mystery, Thriller

language

Dansk, Norsk

castname

Milita
W.
Cheree, Siarah L. Bitbol, Sheldon S. Mijanur





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Film kurz

Spent : $944,247,547

Income : $120,087,603

category : Raum - Bondage , Ethik Legende - Unabhängigkeit , Innerer Frieden - Sozialismus , Blasphemie - Einfach

Production Country : Kasachstan

Production : Fantasy Pictures



[Watch] The High Note Free Online 2020


[Watch] The High Note Free Online 2020









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Movieteam

Coordination art Department : Barni Daniel

Stunt coordinator : Vytis Shawana

Script layout :Paradis Arnoux

Pictures : Abraham Florent
Co-Produzent : Ergi Katic

Executive producer : Saiyam Delisle

Director of supervisory art : Nazreen René

Produce : Korra Maroney

Manufacturer : Jaylon Dulac

Actress : Rhoslyn Shaima



Set in the dazzling world of the LA music scene comes the story of Grace Davis, a superstar whose talent, and ego, have reached unbelievable heights. Maggie is Grace’s overworked personal assistant who’s stuck running errands, but still aspires to her childhood dream of becoming a music producer. When Grace’s manager presents her with a choice that could alter the course of her career, Maggie and Grace come up with a plan that could change their lives forever.









Movie Title

The High Note

Moment

149 minutes

Release

2020-05-07

Kuality

Sonics-DDP 1440p
Bluray

Genre

Drama, Comedy, Music, Romance

language

English

castname

Davet
L.
Issa, Alyss L. Meja, Gans B. Terence





[HD] [Watch] The High Note Free Online 2020



Film kurz

Spent : $688,913,523

Income : $046,064,465

category : Test - Spionage , Mathematik - Reality Fear Object Magic , Journalismus - Ethnografisch , Mädchen - Guilty

Production Country : Schweiz

Production : Cameo Content



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Movieteam

Coordination art Department : Camil Soulez

Stunt coordinator : Humyra Lamarre

Script layout :Baril Zakira

Pictures : Béland Kiannah
Co-Produzent : Winston Jahari

Executive producer : Taïs Lyam

Director of supervisory art : Ronet Rouze

Produce : André Poisson

Manufacturer : Samya Lazar

Actress : Karcsi Shawn



Bound for a remote planet on the far side of the galaxy, the crew of the colony ship 'Covenant' discovers what is thought to be an uncharted paradise, but is actually a dark, dangerous world—which has a sole inhabitant: the 'synthetic', David, survivor of the doomed Prometheus expedition.

5.9
5620






Movie Title

Alien: Covenant

Hour

176 minute

Release

2017-05-09

Kuality

ASF 720p
DVDrip

Category

Horror, Science Fiction, Thriller

speech

English

castname

Nawfel
F.
Roham, January U. Mahala, Bayard D. Melodee





[HD] [Watch] Alien: Covenant Free Online 2017



Film kurz

Spent : $476,818,996

Revenue : $710,953,092

category : Armee - Chor , Ethik Legende - Barmherzigkeit , Drama - Soundtrack , dumm - Abtreibung

Production Country : Island

Production : RAM Film



"At times a thrilling, stomach-churning journey, but one that leaves those on board wondering if the disorientation and down time was worth the investment..."

Read the full review here: http://screen-space.squarespace.com/reviews/2017/5/8/alien-covenant.html
Alien Covenant marks the third Alien movie directed by Ridley Scott and the second prequel to the franchise after Prometheus. They also seem to be getting worse with age.

Prometheus was really a lot of questions searching for answers, ambitious in asking not only about the creation of alien life, but human life as well. However the plan to stretch out these topics into 3 or 4 movies should be met with some skepticism.

Especially considering the basis for this was started by Damon Lindeloff, the creator of Lost and the man most of us are still waiting for answers for most of the things that happened on Lost.

He of course has abandoned this second movie, leaving it in the hands of the far more capable John Logan, but even he struggles to find meaning here, or escape the clichés that have started to grow like a Xenomorph in John Hurt's stomach.

We're dealing with a whole new crew this time; the Covenant. They are headed on a colonial mission to another planet before an electric shock takes out the ship, the Captain, and 47 other members.

Reluctant to get back into their pods for a 7 year journey, the on board crew responsible for the ship's upkeep decide instead to answer a distress transmission coming from another planet.

That's where they find what continues to be the best character in these prequels; Michael Fassbender's David the Android. His motivations and whether he considers himself human or God is constantly in question and Fassbender's soft-spoken performance continues to haunt.

I also really do consider Prometheus to be one of the most gorgeous-looking special films of the last decade and this continues that- from the Covenant ship to the grain fields and other vegetation eerily covering the mostly desolate other terrain of the planet.

We also get the first look at the Neo-morph, who is born the same way, seems a bit faster than the Xeno-morph but the main differences are it doesn't have the Venus fly trap tongue and it can stand like a human. Pretty cool.

Just it's at this point I should probably say that after Aliens there started to be less reason to want these. Alien 3 was fine, Prometheus I thought could really go either way depending on the sequels, and Alien 4 of course was garbage.

The biggest problem here is that it feels so redundant. We get a distress call, the crew investigates, some background characters do stupid things leading to impregnation, someone says "we never should have come", final alien chase.

The aliens, when you can see them, are cool, but there is a lot of downtime between them, and a few quality kills does not a 200 million dollar mega blockbuster make.

It's also really odd that Prometheus does this whole thing of setting up the engineers as the creators of human beings but here they only get one scene and let's just say those looking for more info about them will get angry.

The promise of some larger conversation is in here somewhere but these movies feel so stretched out at this point that when this does get to the few moments of actually having something to say, it's hard to get re-engaged.

The characters don't help either as most just come off like archetypes. Katherine Waterston is the Captain's widow and really the bargain basement Ellen Ripley here.

Billy Crudup plays the faith-based character, and like the last movie, this movie seems to be including that without ever really giving it value in the meaning of life conversation.

But at least those two have some background. I'm so tired of most of these others. The ones who just go tramping through the woods of an unknown planet or show the decision making skills of the Trump administration. You're not supposed to make us root for the alien, guys.

Finally i'm no closer to understanding why these movies are necessary. It's easy to tell what this movie wants to do and it's even easier to see the twist coming a half hour before it even comes.

There are a few nice kills here, I will give the movie that. If you can remember to wake yourself every time Fassbender and Fassbender (he also plays an android named Walter) have a philosophy conversation, you might find some interesting stuff there too. But overall not enough action or thought to make this overly drawn out series seem necessary.

So I go 5/10. For more reviews, check me out on Youtube here- https://www.youtube.com/channel/UCY_IvAm1bJADConJhDCuq6A








I had a few reservations going in to _Alien: Covenant_. In my opinion there hasn't been a truly great entry to the franchise since _Aliens_, so I was worried that the statistics were against it. I thought _Prometheus_ was incredible from a technical standpoint, but not a very engaging movie, and I was worried we might get the same here. The trailers had been mostly good but I was worried I had seen too much of the third act in them, and I was worried this would spoil the experience for me a little.

What I was not worried about was within ten minutes of the damn thing starting I would think to myself: "Wow, this movie is really poorly made."

Well I guess I'm an idiot because that is exactly what happened. And that feeling never entirely abated over the course of the whole thing.

Don't get me wrong, it's no "_AVP: Requiem_", but I was still very disappointed.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**Limps along under the weight of its own importance.**

I love my films dripping with self importance and this one is definitely one of them. I can't get enough of these films that positively bubble over with a high handed, serious and arrogant attitude that indicates that there is no film quite as important as this one.


This film knows it all. It knows everything that we- the lowly, pathetic and simple minded audience do not know and could not ever possibly know because we are not intelligent enough to grasp anything, you see?

For such an authoritative, superior and intelligent film - I find it odd that every character stumbles around like a simple minded cretin making unwise decision after unwise decision.


Ridley and his scriptwriters seem to think that they are intellectuals but somehow they just _can't pull off_ the role of **being** an intellectual.

- Simon Quinlank
I agree with most of the negative comments about this movie.It is a gigantic missed opportunity.My biggest issue apart from the utter predictability and nonsensical,inept script,was the disappointment of seeing 'Prometheus' mixed up with 'Alien'
Alien covenant gets locked up in its own self importance while forgetting why we loved 'Alien' in the first place.I really wanted to like it but came a way with a huge sense of disappointment
Not sure about all the bad reviews, I enjoyed the movie. I'm guessing because I wasn't expecting it to be particularly cerebral. Its a sci-fi/horror flick, I was looking forward to Sir Ridley Scott coming up with new and disgusting ways to terrorize the cast and I wasn't disappointed. Of course, the android going rogue was pretty obvious, but if the Star Wars franchise can feature a planet destroying space station in 3 of 7 movies, I'll give Sir Ridley a pass. If you are looking for the loose ends from Prometheus to be tied up, I suggest you include Sir Ridley in your prayers so he can survive long enough (the man is friggin 80) to film the prequel to _Covenant_ currently titled _Awakening_ that will hopefully meet your expectations.
Watched Alien: Covenant a 3rd time. It is a lot better than first meets the eye. The drastic difference from what we were expecting in direction from Prometheus threw all of us off. We had expectations of what we would get to see and we didn't get those. There is so much detail and such good acting. It takes multiple watches to pick up on it all. It blends the styles of Alien, Aliens, and Prometheus all together and does it very well. There is also a lot of subtle reference to Terminator 2. The dynamic between the androids Walter and David and the acting that went into that is something quite special. In that alone is a reference to T:2. My first 2 watches I didn't appreciate the android Walter like the character deserves. I was biased against his character in light of the android David. The android Walter and how he was portrayed also blends the style of android we see in Aliens. The actor's voice and demeanor reflect that of the android Bishop and gives us a bridge to his design. Michael Fassbender really did one hell of a job acting those two parts of Walter and David. Near the end of the movie there is another nod to T:2 as a beam is clearly marked as such and the scene that follows has a strong T:2/Aliens sequence and taste in styling to it. Through and through the acting is very good. Details are abound everywhere. There are a few points of rather convenient plots however overall the film is now among my favorites right along side Aliens and T:2.
Even the monkeys stood upright at some point.

Hee! Ridley Scott, it seems, is damned if he does and damned if he doesn't as regards the Alien franchise he so gloriously kick-started back in 1979. Prometheus was too cerebral for many and definitely bogged down by expectation levels. Not without flaws of course, but a very tidy science fiction piece it be. So we roll on to Alien Covenant, which while not universally reviled, has certainly garnered some fearful scorn in Alien franchise fan circles.

Alien Covenant is a cover version, no two ways about it, it's a retread of what was showcased in 1979, only with the tie-in to Prometheus and a continuation to the origins of Xenomorph and pals. Clearly we have a case of Scott making one for the fans, a return to chest busting goo and space adventurers under great duress, all of course while he fills in the blanks as well. For sure it's lazy when put up against Alien, and indeed against his other superlative sci- fi offerings such as Blade Runner and The Martian, but for those who lambasted Prometheus for its non Alien conventions, you have now got what you hankered for. Any expectation of this turning out to be a fresh masterpiece was always going to be crushed, so really it's best viewed as a loving retread. Yes! Bad science, plot and logic holes, average acting etc, these rightly don't deserve forgiveness, but it's hardly the devil's spawn here, in fact its's great fun as much as being a visual treat.

Log cabin on the lake.

We start with a prologue involving Weyland and David, the conversation involving creation, the most pertinent of which being the question of the ages, where do we come from? Then after a tantalising tinkle of the ivories for Wagner's "The Entry Of The Gods Into Valhalla", we are whisked into outer space 2104 to be in the company of the Colonisation Vessel Covenant. Crew 15 - Colonists 2000 - Embryos 1140. The destination is ORIGAE - 6, ETA in 7 years and 4 months. Only Walter the Android (Michael Fassbender) is awake, until it's time for the crew to be abruptly awakened from their hyper sleep...

Crusoe and the pathogen.

From the off disaster strikes, thrusting the crew into emotional strife. Characters are introduced, conversations and traits establishing the bare minimum that we need to know, then a ghost transmission is received from Sector 87, planet number 4, and off we go into familiar territory. Things inevitably go from bad to worse and the action, blood flow and creature feature conventions are all laid out for our digestion. There's some surprises in store, with Fassbender a double bonus, and there's some striking chatter ranging from if there's benefits of the human race? and even that involving the poets Byron and Shelley.

Bed Bugs.

Who will survive? If anyone? Just what does the finale have in store? As we get devilish answers, and the barn storming aural pleasures of the full orchestral version of "The Entry Of The Gods Into Valhalla", it's tied up nicely and the pulse rate can settle. Job done. No bar raising here, no film to push the space lander out into new dimensions, just a good honest sci-fi thriller to be viewed with that in mind. 7/10
**Good robot! Bad robot!**

After some gaps, the 'Alien' franchise came alive with the prequel 'Prometheum' which originally said to be a spin-off. Particularly, it landed in the hands of the original maker. Now, even the original title back in action. It's another prequel, hence the prequel series on the making. The next film too will be the same kind, before the overall storyline in the franchise align in a straight line.

I enjoyed it. But not as good as 'Prometheum' or the first two 'Alien' films. The issue with it was, the same old cliché. There's nothing in the story. It was like any space film that's set in a similar fashion. The 80 per cent of the film was what we had seen in the earlier 'Alien' films. Just altered scenes with a new cast and a great visuals. So the update makes it the special.

The story focused too much on the robot. The alien parts were reduced. Because it was like the first appearance of the original aliens we saw in the old films. Precisely to say, the origins. Genetic modification, crossbreeding, there comes the beast. From this film what I have learnt was, it was nothing but more or less the same old fear the humans have about that the robots which are the ones going to make humans go extinct. Except here the aliens come between them. Hence, falling prey to the same clichéd theme from any sci-fi that had humanoid.

Nevertheless, well maintained film in its balance coming from previous hits in the series and going forward to bring more hits. This flick would serve as a fine bridge between them. So only 18 years to go between this, from 2104 to 2122. I'm already anticipating the next film. As I have heard, that film would be focused more on the robot. That's going to be a different experience. Fassbender's time to have some space adventures.

_7/10_
I paid to see the movie, just to see what all the hype was about. It's a mess, of course, from David going Nazi and practicing genocide, to the mindless violence of "an earthworm impaled on a hook to catch fish," to space idiots/children who aren't smart enough to be hall monitors.
I had wondered why some folk considered the first three "Alien" movies Canon and NOT the current set.
I'm with the "three and done" crowd, this movie is a Hollyweird popcorm flick.
"Do not watch this movie. God complexes and stupidity abound. Stay away if you value your peace of mind." (Repeating acoustic beacon)
Though Michael Fassbender did a sublime job and the movie itself was visually immersive, the actions of the main characters did not seem very smart. I could forgive the decision that the newly installed captain Oram (Billy Crudup) took about going to the unknown planet. But everything that happened after David cut his hair exactly the same way Walter head just makes you shake your head in amusement and think ‘Oh, come on!’.
David, obsessed with the act of creation that had value in its end, uses any means available. It is remarkable that no one from the remaining crew has questioned imposter Walters’s identity and just carried on like the worst was left behind. Meanwhile, the last scene when Daniels (Katherine Waterston) realizes (finally!) that Walter is, in fact, David and she had totally screwed up with the thousands of colonizers and embryos on the ship… does give you slight goosebumps.

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